Until the Second World War, this was one of the richest sacral buildings far and wide. It had a rich library and a collection of paintings by famous masters like Benedetto Carpaccio, Girolamo Santacroce, Vivarini and Palma Jr., which were displayed in the monastery church. In the presbytery, there was a big renaissance triptych by Cimo de Conegliano. The most attractive feature of the church today is its precious late Gothic benches from the end of the 15th century and a Baroque organ. Till the 16th century, the church was dedicated to St. Mary of the Angels, when it was renamed the Church of St. Anne.

The Loggia Palace is a Venetian Gothic palace, the only preserved Gothic town hall in Slovenia.

The earliest part of the existing building dates from 1462, when building work began on a replacement for an earlier Loggia that had stood in the same position on the north side of the main square of Koper, opposite the Praetorian Palace.^[1]

Following a plague outbreak in Koper in 1553-1555,^[2] the facade of the Loggia was embellished with coats-of-arms, and a terracotta statue of the Madonna and Child was erected in a niche above the left corner column.

Further work was carried out in 1698, when a second storey was added and the facade was extended with two additional arches taken from the west side of the palace.^[3]

The Loggia currently houses a cafe on the ground floor.^[4][5] In the second floor, it houses an art gallery operated by the Piran Coastal Galleries.

The Cathedral stands in the nucleus of Koper and dominates the area between the east side of the main square, Tito Square (Titov trg), and Brolo Square (trg Brollo). The three-nave Romanesque space with three apses was built in the second half of the 12th century. The Romanesque construction is especially preserved on the south side, where typical funnel-shape windows are intact and the stonework is imitated in the facade. Towards the west the church was extended to the bell tower and in 1392 it was Gothicized. The lower floor facade by the square has remained Gothic. The upper floor was redone with pilaster separations after the fire in 1460. The decorative Renaissance elements are the most distinctive on the west side, built in 1488, and in the chiselled details, such as the portals.

In the middle of the square, right next to the west façade, stands a mighty self-supporting bell tower repaired as a city tower in the 15th century. It has four main floors. The upper is open on all sides by quadra-forums. Higher up is a terrace and an ending with an Aquileian cap. In the bell tower hangs one of the oldest bells in Slovenia (1333). It was cast by Master Jakob in Venice. The upper terrace is periodically open and offers a great view of the Bay of Trieste. The clock, positioned in the middle of the third floor, faces the square

Koper is one of the oldest and most (unjustifiably) overlooked Slovene towns. The majority of people speeding past Koper on their way to Piran and Portorož only see the unattractive cranes of the Koper port from the road. But they do not know that a wonderful and lively old town center hides there. The long-standing rule of the Venetian Republic has left a fantastic architectural heritage, which is definitely worth a visit. Explore the narrow streets of Koper, discover its numerous squares and mingle with the locals, which are far more common here than tourists.

Koper or Capo d’Istria (the head of Istria) used to be an island and a salt panning town. Its origins go as far back as the Roman era; but the Venetian Republic has left the most prominent stamp, which was the time when this town economically and culturally blossomed. With the downfall of the Venetian Republic and the construction of the railway Trieste-Vienna, Koper lost its significance slightly. Nevertheless, after the 2nd World War it started to develop persistently and in time it has become the economic capital of the coastal region and an important port town.

The main attraction in Koper is Tito Square which is surrounded on all four sides by beautiful architecture, one of which is the former Praetorian Palace.

The Praetor’s Palace closes off the south edge of the central Koper Square. A storey palace with an exterior staircase and two elevated tower-like wings on the east and west dominates the side of the square.

It is the most representational secular building in the city. With its late Gothic Renaissance facade and different inner areas it reaches the top of secular palaces of its time in Slovenia. The building was constructed on the location of two older houses from the middle of the 13th century. In the second half of the 13th century the buildings were connected by a loggia and were later rebuilt several times and finalised as a building with characteristics of Venetian Gothic and all posterior remakings.

Between the tower-like edge areas there is a wide storey facade with a series of windows, a staircase and a `rizalit` balcony on the arch and two supporters, and a balcony by the hall with numerous decorative coats-of-arms, the engraved history of Koper. The cogged Ghibbeline addition was placed above the main facade in 1664. There stands Justice in stone, armed with a sword. In the building structure, the ground floor loggia is recognisable, while on the floor above we can decipher the halls of the large and small councils, several additional halls, rooms and former living quarters. The interior has been arranged for the representational needs of the municipality and fitted with period furniture in the celebration hall, offices and exhibition areas on the ground floor.

At the corner of the side facade of the palace there is a chiselled plaque with an opening, a typical Venetian  “bocca del leone”, where anonymous messages for the mayor were left.

When the Venetians came to Piran at the end of the 13th Century, they built the Town Hall building near the harbour and outside the town walls present at that time. It was constructed in the Roman-Gothic style; its façade was full of immured coats of arms and inscriptions. It was demolished in the year 1877. Apart from the old Town Hall, they also demolished the overpass that was connecting the building with the ancient Loggia. The new Town Hall was finished two years later.

In the central axis on the second floor you can see an immured stone statue of a lion holding an open book as a memento of the Venetian Serenissima Republic and the old Town Hall building. The Venetian lion with the book was immured in the majority of the important town buildings: an open book meant peace, and a closed one war.

The stone statue of a lion with an open book is a common feature in this region of Slovenia. Above is a picture another stone carving tucked away just off the square in Piran.

And this picture features a stone lion with an open book in the nearby town of Koper.

After breakfast we walked to the bus station and caught a bus to Koper for the day. The journey along the coast was very beautiful. As we arrived at a bus station near Koper the bus driver stood up and announced that the stop was the nearest one to Koper centre. More than half of the people on the bus stood up and got off.

There was a large map next to the bus station so we were able to find our way into the town quite easily. Our route took us along a narrow shopping street and into Tito Square which is surrounded by spectacular architecture. The most spectacular building is the Praetorian palace; it houses the tourist information office and it is possible to take a guided tour of the building. Unfortunately on the day we visited there was a meeting which meant the rooms were occupied and it was not possible to take the tour.

The nearby Cathedral Church of St Mary’s Ascension was also closed, however Mr C was able to visit the bell tower. In his haste to climb the tower he forgot to check the time and arrived at the top just as the bell struck 12.00. He encountered two Americans looking rather shell shocked due to their being in the bell tower when the carillon bells started to chime.

When he descended from the tower we followed a walking route that took in Koper’s points of interest concluding our tour with a visit to The Monastery Church of St. Anna. Along the way, we noticed the bathing area next to the shipping port and thought the concept and reality were quite unpleasant. We retraced our steps to Tito square and the small shopping street where we had a refreshing drink to cool us down before returning to the bus stop to catch a bus back to Piran.

We walked through the narrow alleyways to the seafront and sat looking out over the bay until it was time to return to the hotel to freshen up for dinner. Over dinner our waiter engaged us in interesting conversation regarding the former communism and politics of the region and after this we sat outside in Tartini square enjoying a night cap.