Roland Allen

For many centuries, the Papal Basilica of Saint Mary Major was called Saint Mary of the Manger or The Bethlehem of the West, owing to preservation in the Basilica, sine the 7th Century, of the precious relic of the Manger of the Child Jesus (today at the relquary crypt below the Main Altar. Originally, it was venerated at the Oratory of the Manger, built during the Pntificate of Theodore I (642 – 649). Arnolfo di Cambio, a key figure of mediaeval art in Italy, sculptured in 1291 for the ancient Oratory the first marble Nativity scen in the history of art. With that masterwork, his employer, the Franciscan Pope Nicholas IV (1288 – 1292), renewed the connection to the founder of his order, Saint Francis of Assisi, who established at Greccion the spiritual tradition of Nativity scenes.

The group consists of five Carrara marble statues: Saint Joseph, the heads of the ox and the donkey, one kneeling Magi and two stanidng Magi, carved from a single block. The sculpture of the seated Mary with Child is probably a version of the late 16th century that replaced a lost original one by Arnolfo.

The Nativity scene serves as an invitation to the faithful and visitors alike to rest, to pary and to meditate on the mystery of Life and Christ present. The Holy Father Francis advises: “As we contemplate the Christmas story, we are invited to set out on a spiritual journey, drawn by the humility of the God who became man in order to encounter every man and woman.“*

* Quoted from an information board next to the Nativity scene

Eduardo Galeano