Stairway to Amalfi Duomo

The Duomo of Amalfi, situated at the top of a long flight of steps, dominates the city’s main square. During the Middle Ages Amalfi was one of four powerful Maritime Republics of Italy. It traded prolifically with other countries, in particular the Orient and the Maghreb. The monument complex of the Cathedral (Duomo) is a testament to that past. Ascending the steep flight of steps gives the tangible impression of reaching up towards God. At the top of the steps are two bronze doors with a fresco of St. Andrew above that were cast in Constantinople in 1057.

Paradise Cloister

Cathedral Bell Tower

The bronze doors are the main entrance to the Cathedral; however visitors today gain access to the Cathedral complex via a side door leading to the Paradise Cloister. Stepping into the cloister I noticed how peaceful and quiet it was in stark contrast to the hustle and bustle of Amalfi itself. The cloister, Oriental in style, is the ancient cemetery of the nobility of Amalfi. A small Mediterranean garden is situated in the middle of the cloister courtyard and round the edges of it are sarcophagi, marble fragments with decorated mosaics and small funerary chapels. The Cathedral bell tower which is Moorish in style can be seen through the cloister arches.

Basilica of the Crucifix

To one side of the cloister is a door which takes you into the small Corsano family chapel with its fourteenth century frescoes depicting the Death of the Virgin and also Saints and Prophets. The chapel leads to the Basilica of the Crucifix. The Basilica, recently restored back to a single nave, was once dedicated to  Our Lady of the Assumption and subsequently to the Saints Cosmas and Damian.

The oldest part of the nave was the first Cathedral of Amalfi, dating to the sixth century AD. The church was extended during the tenth century and when the new cathedral was built adjacent to the original church, the two were connected by a long colonnade, remnants of which can be seen in the southern wall. The styling gives the nave the appearance of a Christian mosque. The nave was altered in the fifteenth century to make way for the Paradise Cloister and construction of small family chapels for wealthy families, a few of which have survived with fourteenth and fifteenth century frescoes.

Since 1996 the Basilica has been home to the Diocesan Museum which displays sacred objects from the treasures of the Cathedral of Amalfi. The collection displays many objects of interest including relics in caskets, silver skull reliquaries, a wooden fragment of Christ’s Cross, a casket containing a Holy Thorn, monstrances, vestments, sculptures, paintings and liturgical items. In the apse of the Basilica hangs a stunning fourteenth century Crucifix.

The Crypt of St. Andrew

The Crypt of St. Andrew

The Crypt of St. Andrew

Steps from the Basilica lead down to the crypt where relics of the body of St. Andrew are kept. St. Andrew was crucified in the Greek city of Patras and his body was taken to Constantinople. Later, during the Fourth Crusade, it was moved to Amalfi by the papal legate Cardinal Pietro Capuano. The relics were placed in the crypt in May 1208.

The current style of the crypt dates to the seventeenth century. Beneath the main altar lies a crystal ampule from which on the vigil of St. Andrew’s Feast Day (and occasionally at other times) a substance called ‘Manna’ is collected. This is a dense liquid which sweats out of the tomb of the Apostle. The event first happened in Patras then in Constantinople and now in Amalfi.  Above the altar is a bronze statue of St. Andrew the Apostle which is flanked by a pair of marble statues of St. Stephen and St. Lawrence representing the Western and Eastern churches. Behind the altar are large images of St. John the Baptist and St. Andrew.

The back of St. Andrew’s skull is currently in the Reconciliation Chapel of the Cathedral so that it can be venerated by the faithful.

The Duomo of Amalfi

The Duomo of Amalfi

Steps from the crypt lead up to the cathedral which I found to be rather dark and slightly oppressive. However the guidebook describes it as a wonderful, inspiring spectacle. The current baroque style has obscured most of the original Romanesque structure. The panelled ceiling and canvases adorning the walls depict scenes from St. Andrew’s life. Both the left and right aisles have chapels containing interesting artefacts including a catafalque bearing a sculpture of the dead Christ, which, on Good Friday, is used in a procession along the streets of Amalfi.

Jesus Christ

NB:

18 Comments CherryPie on Feb 26th 2018

When the wine goes in, strange things come out.

Johann Christoph Fziedzich von Schillez

Wine Shop Advert

14 Comments CherryPie on Feb 25th 2018

Amalfi

As mentioned in a previous post we weren’t to keen on Amalfi. We found the town too busy and touristy for our liking with lots of crocodile lines of people following tour guides. This meant that apart from photographs of the Cathedral I didn’t take many photographs in Amalfi.

Cathedral from the Square

The Pearl of the Coast

“The fountain “DE CAPE ‘E CIUCCI”

This fountain was built during the XVIII century in stone and two faces are in marble. The name derives from the old custom of when the donkeys (ciucci) which came down from the village of Pogerola laden with fruit, vegetables and wood, were led here to drink. Since 1974 the fountain has also been the centre point for a nativity scene, made of limestone and tufa, with characteristic figures, many of which are submerged by the flowing fountain water. The idea originated from Giuseppe Buonocore, Vincenzo Livano, Nicola Pepe and today the tradition is carried on by the Infante family.*

Street View

View from the Cathedral Steps

Viagra Naturale

The above display captured my attention, it was a photo opportunity not to be missed. As I was framing my shot and waiting for a gap in the crowds a gentleman stopped beside me to see what I was photographing. When he saw the display it amused him in the same way that it had amused me which led to us having a brief conversation before we walked off on our respective ways.

*From a sign board above the fountain

33 Comments CherryPie on Feb 21st 2018

The Hortensia Avenue

Behind the pavillion lies the Hortensia Avenue:

The renaissance references ad the inspiration of the Medici villas is strong in this avenue which extends beneath a thick pergola supported by substantial round terracotta columns. A century-old banksiana tree with its clear, scented flowers shades the walk with is bordered by flourishing, colourful hortensia blooms. At the end stands a fine old cast iron well.*

Cast Iron Well

*From the Villa Cimbrone guide leaflet

8 Comments CherryPie on Feb 20th 2018

The Tea-room

The Tea-room was constructed as an open pavilion.

In the area before it we can see and old stone well, four beautiful columns from roman times, carved in the middle ages with multiple figures in relief, two elegant bronze deer, a square seat with little columns and a stone seashell with sea monsters. Recent studies date it from XIIth century, probably a holy relic from England (more or less identical Baptism fonts can be found in St. Peter’s Church, Cambridge). The esoteric connotations, much in vogue at the beginning of the last century, are clear, particularly in the choice and layout of the architectural elements. This is another place, conceived as a space to be lived in close harmony with the surrounding nature, which often saw representations of the Bloomsbury Group of rebellious intellectual reunited.*

Bronze Deer

The Tea-Room

The Tea-Room

*From the Villa Cimbrone guide leaflet

18 Comments CherryPie on Feb 19th 2018

Abide in me, and I in you. As the branch cannot bear fruit of itself, except it abide in the vine; no more can ye, except ye abide in me.

I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me ye can do nothing.

John 15:4-5 (KJV)

I am the Vine

14 Comments CherryPie on Feb 18th 2018

The Rose Terrace

Here within an arabesque balustrade, mindful on an old and absolutely English badminton court, in geometric flower beds, from May to October, ancient varieties of beautiful, scented French and English roses flower. In the middle stands a light stone meridian, on the outer edges, four ornamental statues: Flora, goddess of Flowers and Spring, Leda with Swan, and two wrestlers, Damosseno and Greucante.*

The Rose Terrace

The Rose Terrace

The Rose Terrace

Near this last, as a further invitation to rest and meditation, a seat bearing a poetic inscription by the Persian Omar Khayam: “Oh moon of my delight which know sno decline, the moon in the sky is rising once more, thus as it rises again in future, peeping through this very garden, it shall seek us in vain.”*

The Rose Terrace

*From the Villa Cimbrone guide leaflet

6 Comments CherryPie on Feb 17th 2018

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