Synopsis (from book cover):

The Hereford mappa mundi is the largest an most elaborate world map surviving from before teh fifteenth century.  Designed at Lincoln by one Richard of Holdingham, it was made for Hereford in about 1300 and Hereford has been its home ever since.

There has been much speculation as to the identity of the author of the map, and the purposes for which it might have been made.  More than just a map, it can be seen as an encuuclopaedia of distant lands, their peoples, myths and natural history, all held to gether within a framework of Christian belief – the figure of Christ in judgement is placed in a prominent position at the top of the map.  It presents an illuminating view of the world as it appeared to a cultured and will read person in theirteenth-century England.

In this book P. D. A. Harvey provides an authoritative introduction to the map, based on recent work, showing how it was made, what it depicts and what sources the author used.  Many detailed photgraphs, specially commiddioned for the purpose, together with illustrations of othe related medieval maps, accompany the text.

Book Review:

I picked this book up in Hereford Cathedral, when I visited the Mappa Mundi.  The book dated 2010 is an updated version of an earlier book that was first published in 1996.  The book covers the most recent research and findings regarding the map.

The book covers the making of the map, the history of the map and sources of information for the content of the map.  The book also sets the map into context with other similar world maps.  The text is enhanced by many colour photographs showing the Hereford map and other world maps of this type.

I found the book very interesting and recommended it to anyone who is interested in the subject.

10 Comments CherryPie on Jan 9th 2014

The Wallace Collection

The Laughing Cavalier

General Bonaparte Reviewing Troops

A Grenadier of the Guard at Elba

The Despatch

Dante's Inferno

8 Comments CherryPie on Jan 8th 2014

In Memoriam

2 Comments CherryPie on Jan 7th 2014

Duke of Wellington Statue

Before the Wellington Arch was moved to it’s present location it was topped by a controversial statue of The Duke of Wellington. When the arch was dismantled and relocated the statue was taken down and replaced by the Quadriga that now tops the arch. This left the question of what to do with the statue of  Wellington.

In 1883 the arch was dismantled and reconstructed on its present site. The Wellington statue was taken down in the process, and the question of what to do with it arose again.

No one seems to have wanted it back on the arch, and a strongly worded memorandum from the president and academicans of the Royal Academy urged the government to relieve London of ‘a blot which has long been a source of annoyance to Englishmen and of derision to foreigners’.

A committee chaired by the Prince of Wales was formed to consider the beautification of the newly formed place. It cast around for another site for the giant statue, but not finding one that met with approval proposed to melt it down. At this point the army spoke up; much of the money subscribed for the statue had come from officers, and they wanted it if no one else did. So, in 1885, the statue was unveiled on a new site near the garrison church at Aldershot by the Prince of Wales, where it remains.

The committee commissioned Sir Joseph Boehm to make a new equestrian stature of the Duke of Wellington, and in 1888 the very fine monument which stands opposite Apsley House was unveiled.*

Duke of Wellington Statue

* From the English Heritage guide book to The Wellington Arch and the Marble Arch.

6 Comments CherryPie on Jan 6th 2014

If you want to understand the invisible look carefully at the visible.

The Talmud

P1050917 copy

18 Comments CherryPie on Jan 5th 2014

View from Wellington Arch

View from Wellington Arch

View from Wellington Arch

View from Wellington Arch

8 Comments CherryPie on Jan 4th 2014

The Wellington Arch

The Wellington Arch and its companion Marble Arch have interesting histories.  The English Heritage guidebook introduction gives a brief overview:

Usually built to commemorate a great victory, the triumphal arch was a familiar feature of the Roman world.  In the 1820s, this classical model was adapted by two of the finest architects on the day: Decimus Burton used it for the Wellington Arch, and John Nash copied the Arch of Constantine in Rome as the basis for the Marble Arch.  This was no mere accident, since both arches were indeed mean to serve as victory monuments.  After much public lobbying, Britain was at last to have appropriate memorials marking its military and naval triumphs over Napoleonic France.

The patron behind these works was King George IV, who had long been greatly interested in architecture.  His vision was that of a grand ceremonial route into his newly planned metropolitan residence, Buckingham Palace.  The Wellington Arch would serve as the outer entrance at the top of Constitution Hill, and the Marble Arch would open gloriously into the courtyard of the palace itself.

The guidebook goes onto explain the context for design and construction of each arch and also their turbulent later histories, including their complete removal to fresh sites in the Victorian era, through to the present day.

The Quadriga

Wellington Arch Gate

4 Comments CherryPie on Jan 3rd 2014

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