Built between 1439 and 1463 from the profits of the cloth trade, Leuven’s Stadhuis was designed to demonstrate the wealth of the city’s merchants. This tall and distinctive building is renowned for its lavishly carved and decorated facade. A line of narrow windows rises up over three floors beneath a steeply pitched roof adorned with dormer windows and pencil-thin turrets. *
However, it is in the exquisite quality of its stonework that the building excels, with delicately carved tracery and detailed medieval figures beneath 300 niche bases. There are grotesques of every description as well as representations of folktales and biblical stories, all of which are carved in an exuberant style. Within the niche alcoves are 19th-century statues depicting local dignitaries and politicians. *
*From Eyewitness Travel Guide to Belgium and Luxembourg
I am the song
I am the song that sings the bird.
I am the leaf that grows the land.
I am the tide that moves the moon.
I am the stream that halts the sand.
I am the cloud that drives the storm.
I am the earth that lights the sun.
I am the fire that strikes the stone.
I am the clay that shapes the hand.
I am the word that speaks the man.
The house of Van’t Sestich is named after the Louvain patrician family of that name. High up in the wall the Roman numeral LX can be seen; a play on the surname.
The facade of Van ‘t Sestichhuis is quite striking and intriguing. The architectural style of the brick patterns show kinship with with the architecture in Bijloke, Ghent and numerous town houses in Bruges. The gable is adorned with hakstenen motives which we can recognize as the Star of David.
During WWI the Germans set the University Hall ablaze. The centuries-old library, which held hundreds of thousands of often rare books, went up in flames. With support from the Americans, a new library was built in the 192o’s in the Flemish Renaissance style. Impressive about this building are the many stones engraved with inscriptions from the hundreds of American technical and engineering schools that contributed to its reconstruction. The carillon in the tower, with its 63 bells – one of the largest in the country – was a gift from 16 American engineering societies.*
In front of the library, in Ladeuze square stands a monument entitled Totem; a giant beetle impaled on a needle. The strange spectacle left me wondering why and what it was supposed to signify.
The truth behind the story is that it was a gift to the city of Leuven by a Belgium-based artist Jan Fabre. Fabre is a well known sculptor, but also a playwright, choreographer, designer. This is not the first time he creates animal figures. In Nieuwpoort he has made a giant turtle monument, named ‘Searching for Utopia’. Similar works in the open are exhibited in Bruges. He also exhibited his works in The Louvre.
The ‘beetle-monument’ was unveiled in 2000, the year of the 575th anniversary of K.U. Leuven. The name of the work of art is the Totem. In the artist’s own words, this work symbolizes a lot of things: nature, radar for human existence and so on. The other meaning refers to a bigger collection Fabre made. He has actually made a whole collection of upside-down insects pinned on needles.
Fabre also says that he had a lot of help from professionals at K.U. Leuven without whose expertise he would have not done the job proper. Most importantly, he was roaming around Leuven a lot, looking for a perfect location for the monument. He choose the Ladeuze square because it is in front of the library and, as he claims: Totem is a tribute to knowledge, to beauty, to the poetry of existing/being.
*From Out and About in Leuven walks leaflet
This little park between the small and large arms of the Dijle was designed by municipal architect Renilde d’Haese. It is part of the island that lies between the Zwartzustersstraat and the Redingenpoort. Here, in the Middle Ages, you could find the greatest concentration of water mills. And at one time, it was the mooring place of the ships that supplied the village of Hove and the various mills. Be sure to notice the sophisticated bridge and the bower when you walk past.*
*From Out and About in Leuven walks leaflet
Strolling along the River Dilje on our way back to Hotel Klooster I noticed the side view of this rather striking statue. The statue caught my eye because it was set off by the neighboring tree trunk which to me presents a similar profile and this intrigued me.
When I moved round to the front of the statue I found the image disturbing but I did not know what it represented. After a bit of research when I returned home I found the following information:
Stone sculpture of a woman with a dying son in her arms, overlooked by a man.
The work is one of the lesser known images of Leuven. The statue commemorates a part of the resistance movement of Leuven during World War II. The initiative came from the National Royalist Movement Leuven (NKB), and it was inaugurated on 4 October 1959. The creator Willem De Backer from Berg. He was a teacher at the Academy of Louvain between 1942 and 1970. Hence, the location of the image.
Now I know the context I think that the monument presents a powerful image. I would be interested to know your thoughts…
During the middle ages, jesters had to liven up things. They were often either deformed (e.g. a lump), small of posture, and had a big mouth and ears. Paep Thoon, who lived in Leuven during the 15th century (1430-1487), was such a character. He was an organist at the fraternity of the Holy Sacrament at St. Peter’s church. He was known to blurt out the truth either by means of a joke or a sarcastic remark. He never lost his sense of humor and on his dying bed reportedly asked to be buried in upright position, and beneath a gargoyle – so that he would never be thirsty.
In 1991, a Paep Thoon statue by Peter Vanbekbergen was placed at the Leie where the river Dyle crosses / runs under Brusselsestraat.