The Papal Basilica of Saint Mary Major has dominated over the city of Rome for 16 centuries as the Marian shrine par excellence and the cradle of artistic civilization. Located at the summit of the Esquiline Hill, it is one of Rome’s four Papal Basilicas. According to tradition, the Virgin Mary indicated and inspired the construction of her abode on the Esquiline Hill. She appeared in a dream to the aristocrat, Giovanni, and to Pope Liberius, asking for the construction of a Church in her honour, in a place that She would miraculously reveal. The Miracle of the Snows is recalled each year with a solemn celebration. During the liturgy, a shower of white petals falls from the ceiling, creating an almost perfect union between the congregation and the Mother of God.
The Basilica houses the most important Marian icon, the Salus Populi Romani. Tradition attributes the image to Saint Luke the Evangelist, the Patron Saint of painters. Pope Francis entrusts his Apostolic Journeys to the protection of the Salus Populi Romani, which he visits before every departure and after every return.
The relic of the Holy Crib, the manger in which Baby Jesus was laid to rest, highlights the importance of Saint Mary Major as the “Bethlehem of the West”. The first Christmas night Mass was celebrated here and Pontiffs have been keeping this tradition alive for centuries.
Among the Basilica’s most important relics are the remains of Saint Matthew and Saint Jerome.
Seven Popes are buried in the Basilica.
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The Fontana dell’Acqua Felice, also called the Fountain of Moses,[1] is a monumental fountain located in the Quirinale District of Rome, Italy. It marked the terminus of the Acqua Felice aqueduct restored by Pope Sixtus V. It was designed by Domenico Fontana and built in 1585–1588.[2] It is located at the intersection of Largo Santa Susanna and Via Venti Settembre; across and diagonal from the Largo, is the church of Santa Susanna, while across Via Venti Settembre is the church of Santa Maria della Vittoria.
The statue of Moses was criticized at the time for its large size, not in proportion with the other statuary, but the fountain achieved its political purpose; it was a statement of how the Catholic Church, unlike the Protestant Reformation, was serving the needs of the people of Rome. It also achieved its social purpose of reviving the Quirinal neighborhood; what had been a rustic area of villas was turned into a thriving urban neighborhood by the arrival of a good drinking water supply.[11]
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… followed by ‘fine dining’ at chez nous
Fish goujons on ciabbata for lunch at Essington Farm Shop followed later in the day by ‘Fine Dining’ (steak au poivre) at chez nous.
I removed the top layer of ciabatta. It only needed one layer of bread for perfect indulgence.
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