The Statue of Ceres

At the end of the picturesque terrace stands the Temple of Ceres, goddess of the Harvests. The pavilion marks the entrance to the Terrace of Infinity. On account of its location the Terrace of Infinity has earned the title of ‘the Doorway of the Sun’.*

The Temple of Ceres

You will have to wait until my next post for my views of the Terrace of Infinity.

*From the Villa Cimbrone guide leaflet

2 Comments CherryPie on Feb 9th 2018

The Avenue of Immensity

12 Comments CherryPie on Feb 8th 2018

The Crypt

This open gallery in gothic style, individual and hard to build with load bearing arches is modelled on the Fountain Abbey of Malton in Yorkshire where Lord Grimthorpe originally came from. Although it evokes a medieval atmosphere, it was built between 1907 and 1911 and became one of the meeting places of the London’s Bloomsbury Group*

The Crypt

The Crypt

*From the Villa Cimbrone guide leaflet

14 Comments CherryPie on Feb 7th 2018

Entrance to Villa Cimbrone

The cloister can be found to left beyond the the the sixteenth century doorway to the Villa Cimbrone. The cloister, a delightful small courtyard in Arabian/Sicilian/Norman style. The archway is supported by two columns sporting two boars heads which recall the family crest of Lord Grimthorpe.*

Entrance to Villa Cimbrone

Villa Cimbrone

Cloister

Cloister

Cloister

*From the Villa Cimbrone garden guide leaflet

20 Comments CherryPie on Feb 6th 2018

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The first reliable mentions of Villa Cimbrone can be found around the 11th century, intermingling with those of Ravello’s golden era. The origins of its name come from the rocky outcrop on which it stands: this was part of a large estate with lush vegetation covering over eight hectares that was known as “Cimbronium”.

It initially belonged to the aristocratic Acconciajoco family. In the mid 1300s it passed into the hands of the powerful and wealthy Fuscos, a noble family from Ravello who were related to the Pitti family in Florence and the D’Angiò family from Naples.

Thanks to the enthusiasm and dedication of the Vuilleumier family, for a few decades now Villa Cimbrone has been restored to its former standing as a prestigious historical site and botanical garden, after a period of relative decline around the time of the Second World War.

This successful commitment to recovering, conserving and protecting one of the most important cultural heritage sites in Campania springs from an idea by Marco Vuilleumier at the end of the 1960s, which has been pursued with great determination.

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The Villa’s gardens are breathtakingly beautiful and contain a wealth “of the most beautiful flowers imaginable”. They were largely redesigned at the start of the 20th century, with the valuable input of the English gardener Vita Sackville-West. They are considered among the most important examples of the English landscape and botany culture in the South of Europe.

As a result of the strong influence of classical literature and the reinterpretation of the Roman villa, numerous impressive decorative elements from all over the world were placed in the gardens, such as fountains, nymphaea, statues, small temples and pavilions. Some of them often hosted gatherings of the prestigious Bloomsbury Group, which chose Villa Cimbrone as a meeting place and source of inspiration.

The long central path, which in May 1880 provided the backdrop to the famous horse ride by Cosima and Richard Wagner, ends with the “Infinity Terrace”, where the gaze of onlookers is lost in what Gore Vidal called “the most beautiful view in the world” and where Gregorovius said that one feels “the desire to fly”.

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I will be sharing some of the garden features in my upcoming posts.

12 Comments CherryPie on Feb 5th 2018

The hours when the mind is absorbed by beauty are the only hours we live.

Richard Jeffries

Strip of Silver

14 Comments CherryPie on Feb 4th 2018

Ravello

Ravello

Ravello

Ravello

Ravello

Ravello

Ravello

22 Comments CherryPie on Feb 1st 2018

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